Rewind
Every song in the order it went out, with what Jeff said between them. The station writes this log itself as each track ends, so it’s what came out of the transmitter rather than what was planned. Press play.
Every track’s measured BPM, in running order. The picker nudges each choice toward one that blends with the last, which is why the hour climbs and falls in runs rather than jumping about.
Release decade of everything played.
“Fun fact from the overnight logs, at three this morning it was just me and a Bowie deep cut nobody's touched in months, playing to absolutely nobody. Glad you're here for this one instead, it's Ashes to Ashes, on a slow and easy Saturday Breakfast, here on Streamless FM.”
“Quick word on something serious this morning. A lot of the Australians missing after that flash flood in the Himalayas were on pilgrimage, up to a mountain called Kailash, one of the most spiritually important places on earth for millions of people. Thinking of the families waiting on news today. Coming up next, Powderfinger, My Happiness, and Saturday Sessions kicks off at midday, here on Streamless FM.”
Only what already went out. The log writes itself as each track ends, breaks included, transcript and all.
Never what’s coming up. Our music licence lets us name upcoming artists but never the running order, so we don’t publish one.
And nothing about who’s listening. No counts, no locations, no sessions. Where you listen from is yours.
A rule-based picker that has no idea who’s tuned in. The whole method, with live counts, is on the song picker page.
This page only looks backwards. The station itself never stops, and the next song is minutes away.